Name: Giant Shirley
Brand: Tal Ross

Bonus disc

Bonus disc: No

Catalogue number

TWM53

{"blocks": [{"data": {"text": "TWM53"}, "type": "paragraph"}]}

Colour

black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Double 180 Gram Vinyl with Obi Strip.

{"blocks": [{"data": {"text": "Double 180 Gram Vinyl with Obi Strip."}, "type": "paragraph"}]}

Format Music GB

Limited edition

Release date

2020-08-29

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

742338383683

{"blocks": [{"data": {"text": "742338383683"}, "type": "paragraph"}]}

Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Tal Ross

Genre GB

Funk / Soul

Label GB

Tidal Waves Music

Of the numerous musicians who have played along with George Clinton in his Parliament / Funkadelic mob, perhaps the most mysterious of them all would be guitarist Tal (aka 'Tawl') Ross. Next to being one of the original Funkadelics, Ross was a vital force (and responsible for many of the rhythms and chords of the early material) on such early classics as Funkadelic, Free Your Mind and Your Ass Will Follow, Osmium and Maggot Brain.

Tal Ross left the band in 1971 after a shattering encounter with LSD that made him leave the music scene and his New Jersey home altogether. He went to live in a small town in North Carolina, working and playing acoustic guitar. Years went by without any word from Ross ... until 1995, when out of nowhere he issued his first solo album: Giant Shirley.

This was made possible by Aris Wilson and Peter Wetherbee (former label manager of Bill Laswell’s Axiom Records) who also enlisted an all-star cast of guest musicians to play on the album (including former P-Funk drummer Jerome 'Bigfoot' Brailey and Manu Dibango / Gil Scott-Heron collaborator Aiyb Dieng). The results of Tal's nearly 25-year funk-fermentation are compelling, with a beefy stew of blues, funk, eastern rhythms, psychedelia, percussive textures, and even some rock 'n' roll for good measure. The album's roots lie deep in the Mississippi Delta style of brooding blues. Whereas his former band eventually shed their hard funk for a more accessible sound, Ross surprisingly stays true to Funkadelic’s early style here on Giant Shirley.

Alternating between red hot and cool funk, the album takes the listener on a fantastic journey not witnessed since Clinton and company's early 70s output. This unique album is far from the standard "shake your whatever" genericness that the majority of the P-Funk camp had embraced by this point and comes highly recommended for fans of Parliament / Funkadelic (and for 70s psychedelic / funk rock collectors in general).

Giant Shirley

Music GB