Name: Pot Luck
Brand: Elvis Presley

Bonus disc

Bonus disc: No

Catalogue number

DOL1097HF

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-07-22

Signed copies

Signed copies: No

Supplier GB

Lasgo

Tax rate GB

UPC / Barcode

889397050573

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / red

Artist

Elvis Presley

Genre GB

Rockabilly / 50s Rock 'n' Roll

Label GB

Doxy

Seventh studio album by American singer and musician Elvis Presley, released on RCA Victor in mono and stereo, LPM/LSP 2523, in May 18, 1962. Recording sessions took place on March 22, 1961, at Radio Recorders in Hollywood, and on June 25 and October 15, 1961, and March 18 and March 19, 1962, at RCA Studio B in Nashville, Tennessee. The album is dominated by the songwriting team of Doc Pomus and Mort Shuman, who had written the chart-topping "Surrender" and the double-sided hit single "(Marie's the Name) His Latest Flame" backed with "Little Sister". The tracks "Kiss Me Quick" and "Suspicion" would be pulled off for a Top 40 single almost two years later in April 1964, following a hit cover version of the latter song by Terry Stafford (an Elvis sound alike). The rest of the tracks originated from regular Presley contributors such as Don Robertson, Otis Blackwell, and Paul Evans, with Blackwell's "(Such an) Easy Question" also being used as a single release in June 1965 and climbing to #1 and #11 on, respectively, the Billboard Adult Contemporary and Hot 100 charts, during a time when Presley was involved mostly in feature film and soundtrack work.

Although like its predecessors in 1960 and 1961 – Elvis Is Back! and Something For Everybody, – Pot Luck easily made the top ten on the album chart, all three had been vastly outsold by the soundtrack albums G.I. Blues and Blue Hawaii, a pattern that would continue to hold for Presley through the mid-1960s. The soundtracks had the advantage of the films as a promotional tool and Colonel Tom Parker went against standard practice in the American record industry by refusing to include hit singles on albums, which would have likely increased sales. As a result, Presley would concentrate on his movie career, and not make another non-soundtrack, non-gospel studio album for another seven years, until From Elvis in Memphis.

Pot Luck

Music GB