Name: Spinhead Sessions
Brand: Sonic Youth

Bonus disc

Bonus disc: No

Catalogue number

goo021lp

{"blocks": [{"data": {"text": "goo021lp"}, "type": "paragraph"}]}

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2016-06-17

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

UPC / Barcode

787996802114

{"blocks": [{"data": {"text": "787996802114"}, "type": "paragraph"}]}

Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

goo021cd

{"blocks": [{"data": {"text": "goo021cd"}, "type": "paragraph"}]}

2016-06-14

787996802121

{"blocks": [{"data": {"text": "787996802121"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Sonic Youth

Genre GB

Alternative / Modern

Label GB

Goofin

Previously unreleased studio recordings from 1986. The slow-burn sounds of Sonic Youth's 1986 rehearsals to score Ken Friedman's spooky highway film Made In USA are yet another mile marker in the band's long and varied existence, now being issued as Spinhead Sessions (named for the North Hollywood studio used by SST label acts like Black Flag and Painted Willie). These jams were later built upon for a full-on (and quite different) soundtrack production, but the rough sketches here find the band taking time with truly new and introspective sound worlds. It was basically a brand new way of working for Sonic Youth, albeit a challenging one, under the auspices of major Hollywood film production overlords, routing their way into the world of soundtrack scoring. And it all comes at a key time and place. It's no secret that 1986 was a transformative year for the band in many ways. The gravitation to the beloved SST stable, in addition to Steve Shelley, now drumming, certainly gave Sonic Youth a renewed vigor and vocabulary. They were already an international touring machine, and gaining considerable steam with critics (even spinning the heads of detractors who had dismissed their arty downtown boho sensibilities prior to '86's EVOL). Their cultdom with fans had concrete roots by this point, and the influences that were swarming in the band's orbit marked an exciting time, where almost any trajectory seemed possible, and they were going for it. Friedman's film worked on a relatively darker frame for a mainstream Hollywood flick; characters played by stars Chris Penn and Adrian Pasdar made a cross-country journey that started out in Centralia, Pennsylvania, a real-life, anthracite coal producing town that had to relocate all its residents due to a decades-long, inextinguishable underground fire. The Sonics passed through this haunted-looking locale on their next tour after the sessions, and are pictured on the sleeve standing amidst smoldering embers. For the sounds they made at Spinhead, this image seems a fitting mental picture. Guitar harmonics billow like smoke, heavily reverbed drumming and shimmering cymbals echo from what sounds like the bottom of a deep mine. This newly born Spinhead Sessions release once again defines Sonic Youth in a raw and engaging state of discovery at a terrific time. Is it a missing link between the complex, crafted cavernosity of EVOL and the frayedelectric powerline sizzle of Sister? Yes and no. It's an entirely unique animal, a meditative album where you can soak in the template of tapping overtones, sedate explorations of new chords, even sounding at times like AMM trying to play the VU's Sweet Sister Ray bootleg or something similar. It's trademark Sonic Youth at the core, and in an unfettered, dreamy state and time, there and gone like smoke. Brian Turner, WFMU Music Director. LP Includes digital download code.

Spinhead Sessions

Music GB