Name: Mayu
Brand: Pale Cocoon

Bonus disc

Bonus disc: No

Catalogue number

INC004

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Colour

black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

First Time on Vinyl. Housed in Gatefold Sleeve

Format Music GB

Limited edition

Release date

2020-07-24

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

826853000758

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Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

INC004CD

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826853000765

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Pale Cocoon

Genre GB

Experimental / Avant-Garde / Industrial / Noise

Label GB

Remastered and reproduced from the original release with never before seen images of Pale Cocoon. Collaborative release between Incidental Music (USA) and Conatala (Japan).

In the early 1980s, Pale Cocoon member Tsuyoshi Kawabata received the vivid image of springing forth from a cocoon as he was composing music in his hometown of Toyama, Japan. Having spent time arranging sounds on a 4-track recorder in the musical chrysalis of his home studio, Kawabata moved to a larger studio and converted his recordings to an open reel with the help of other musicians on the Pafe Record roster, leading to the musical metamorphosis of his full-length work 繭 (Mayu).

Like the Belgian symbolist paintings that served as inspiration during Kawabata’s musical process – the compositions featured on Mayu serve to elevate the nuanced elements of daily life, each sound intentionally crafted with a meticulous approach to best represent its objective nature. Sounds of the Japanese landscape in summertime parallel swirling synthesizers and noise; shimmering guitar sounds take the shape of a snowflake. In this way, Kawabata’s pure reflection on the objective nature of sounds evokes the deeper spiritual essence of their origins – taking on a symbolic role in order to elucidate a greater psychic nature... or as French poet Stéphane Mallarmé writes, “to depict not the thing but the effect it produces”.

The result is a musical soundscape evocative of Kawabata’s hometown of Toyama – a collection of compositions with inherent seasonality in their arrangement, mirroring the landscapes along the sea of Japan. The album opener Sora acts as a portal into Kawabata’s world, segueing from a dizzying whirlwind of processed recorder into an ecstatic atmosphere of guitar and synthesizer invoking the likes of Woo, Cluster, and the euphoric stylings of Penguin Café Orchestra. The next piece, Shunmin, waltzes deeper into Mayu’s fever dream, creating a gorgeous atmosphere with hypnotic drum machine programming leading a chorus of processed acoustic guitar and cosmic keyboard arrangements. At times, the listener may hear the dreamy post-punk influence of Cherry Red Records and peers The Durutti Column throughout Mayu – a group whom Pale Cocoon shared the stage with during their Japan tour of 1984. However, the album itself is undoubtedly the singular vision of Kawabata, informed by the musical landscape of Toyama – the same environs which fostered the sounds of Pale Cocoon’s label Pafe Record and fellow groups Funeral Party and Virgin Mayonnaise who perform on Mayu.

Mayu

Music GB