Name: Acoustic
Brand: Oumou Sangare

Bonus disc

Bonus disc: No

Catalogue number

NOF47

{"blocks": [{"data": {"text": "NOF47"}, "type": "paragraph"}]}

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-08-28

Signed copies

Signed copies: No

Supplier GB

Proper

Tax rate GB

UPC / Barcode

3700551783199

{"blocks": [{"data": {"text": "3700551783199"}, "type": "paragraph"}]}

Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Oumou Sangare

Genre GB

African

Label GB

No Format

Oumou Sangaré releases a fully acoustic album on No Format. Re-imagining her much-praised 2017 release Mogoya totally unplugged, in live sessions recorded over just two days, Acoustic is the final chapter in a trio of related projects, following 2018's Mogoya Re-mixed edition, which saw Sangaré's compositions retooled by high-profile fans including Sampha, Spoek Mathambo and St Germain.

Acoustic consolidates Sangaré's position as Mali's leading opinion-maker, established with her 250,000-selling 1989 debut Moussolou, which did much for the feminist cause in West Africa. Oumou's capacity to confront suffering whilst preserving her connection to Malian values is reflected in two additional tracks added to Acoustic. Saa Magni, which laments the passing of Amadou Ba Guindo (member of the Orchestre National Badema), and Diaraby Nene (lifted from Mous-solou) in which Sangaré's lyrics dared to detail her first physical encounters. The release of Mogoya in 2017 signalled the return of Oumou Sangaré after 8 years, during which she had been managing her numerous businesses (including agriculture &amp; pisciculture).

With that album, the woman who'd swapped selling water on the streets of Bamako for global stardom reconnected with her audience. Balancing the traditional music of Wassoulou and a forwards-facing curiosity, Malian instruments were augmented by electric guitar, bass and synths, with Tony Allen on drums. Oumou was painted by Congolese artist JP Mika for the front cover, and more recently sampled by Beyoncé (who used Diaraby Nene without permission on MOOD 4 EVA). Never before had Sangaré appeared so far removed from her home country - it's a dynamic that Acoustic redresses, with Oumou embodying the same freedom and audacity of her debut album. It's the fighter, the undefeated rebel that you find here on this snapshot of an album.

Acoustic

Music GB