Name: Axis
Brand: Helm

Bonus disc

Bonus disc: No

Catalogue number

DAIS177LPC1

{"blocks": [{"data": {"text": "DAIS177LPC1"}, "type": "paragraph"}]}

Colour

white

Colour details

Bone White

{"blocks": [{"data": {"text": "Bone White"}, "type": "paragraph"}]}

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2021-12-10

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

0011586672369

{"blocks": [{"data": {"text": "0011586672369"}, "type": "paragraph"}]}

Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / white

DAIS177LP

{"blocks": [{"data": {"text": "DAIS177LP"}, "type": "paragraph"}]}

black

Extended format: No

0011586672321

{"blocks": [{"data": {"text": "0011586672321"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

DAIS177CD

{"blocks": [{"data": {"text": "DAIS177CD"}, "type": "paragraph"}]}

2022-01-14

0011586672338

{"blocks": [{"data": {"text": "0011586672338"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Helm

Genre GB

Electronic

Label GB

Dais

London exploratory industrialist Luke Younger characterizes the creation of his latest collection, <i>Axis</i>, as a liberating return to roots: “It felt like going back to the beginning, it felt freeing.” Begun before the pandemic as a soundtrack to a dance performance, the initial vision was for something “visceral, with physical movement in mind.” When the project shifted to indefinite hiatus, he reimagined the material in the context of an LP, while retaining its sense of dynamic physicality. The result is grim and gripping, seasick throbs lurching in a low-ceilinged space, strafed with fractured clanging, hissing steam, and grinding spirals of granular haze. Noise in its most elevated and compelling form, from and for the body as much as the mind.

The album’s unique immediacy stems from Younger’s instinctual muse, reactivating raw methods with fresh energy. “I tuned back in to working with noise techniques again: more primitive equipment, cheap FX, contact mics, noise boxes.” Key guest contributions by Lucy Railton (cello), Mark Morgan of Sightings (guitar), Alex Tucker (vocals), and the late, legendary John Hannon (violin) further enrich the record’s bristling palette. Although half the tracks were begun pre-Covid at Hannon’s Essex studio, the rest were finished in Younger’s kitchen and living room during lockdown. The final tracks were then relayed to veteran mix specialist Randall Dunn, who further honed the material, adding a vivid spatial quality before entrusting the album to Stefan Betke (Pole) for final mastering.

From the hellscape metronome of “Moskito” to the insectoid warzone pulse of “Repellent” to the seething orchestral undertow of “Axis,” this is music of ominous gravity and worlds in peril. But it’s the closing cut, “Tower,” which Younger calls “perhaps the most dramatic piece of music I’ve ever made.” A lurking, blackened descension conjured on keys, guitar, and wormhole wah, the melody simmers and swells until suddenly exploding in a chaos of distorted blast beats. From their ashes the three-note riff slowly returns, like some astral dungeon synth exorcism, rising in a searing arc towards frenzied immolation before finally fading away in white fire and afterlife whispers.

Axis

Music GB