Name: Death Is Bigger 1984-1985
Brand: Getting the Fear

Bonus disc

Bonus disc: No

Catalogue number

DAIS175LP

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Colour

black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Includes 12 Panel Booklet with Exclusive Liner Notes by Singer Paul ‘Bee’ Hampshire, Rare Archival Photos and Art.

Format Music GB

Limited edition

Release date

2021-07-30

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

0011586671386

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

DAIS175LPC1

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white

Extended format: Yes

00011586671355

{"blocks": [{"data": {"text": "00011586671355"}, "type": "paragraph"}]}

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / white

Artist

Getting the Fear 

Genre GB

New Wave / Post Punk

Label GB

Dais

It's testament to how fertile England's mid-80's musical landscape was that the splintering of short-lived post-punk pioneers The Southern Death Cult seeded so many memorable but divergent groups – from widescreen rock legends The Cult to romantic pop duo Into A Circle to “the Asian Public Enemy,” Fun-Da-Mental. But the band's most potent subsequent cross-pollination was undoubtedly Getting The Fear, formed by The Southern Death Cult rhythm section of Barry Jepson, David 'Buzz' Burrows, and Aki Haq Nawaz Qureshi, joined by Temple Ov Psychic Youth associate Paul ‘Bee’ Hampshire on vocals. 

Galvanized by Margaret Thatcher's “iron fist” austerity policies and the cultural liberation of punk, the group blazed to creative fruition, quickly landing a lucrative deal with RCA. But immediately after recording their 1984 debut single, Last Salute, a shake-up at the label left them stranded and without support. Rather than stall in music industry purgatory they chose to dissolve, escaping their restrictive contract. Bee's lyrics on “Last Salute” are fitting final words: “If this must end let it pass me by / I’ll remain your friend, only flowers die.” 

But this is of course only part of the story. <i>Death Is Bigger: 1984-1985</i> rectifies history's error, collecting the group's entire vault of demos and unreleased songs alongside liner notes and a photo gallery capturing Getting The Fear in all their high libertine glory. The compilation's 10 tracks are alternately brooding, spiky, and sneering, fixated on dreams, sex, and Charles Manson (the sleeve of Last Salute famously features a detail from Manson's embroidered waistcoat, unbeknownst to label execs). Razor wire guitars slice across tense rhythms, veering between minimal and melodic, occasionally flowering into psychedelic poetry, revealing Bee's deep affinity with Psychic TV. 

Taken as a whole, the album showcases the breadth of forking paths facing UK post-punk in 1984: pop eating itself, new wave while still new, transgression as alternative not affectation. Getting The Fear's music feels eclectic and unfettered, following whim, lust, and impulse, glinting with darkness against the fires of youth: “The earth is still beneath my feet, I start to sink to lose myself / Friends and lovers stand around unconcerned, their eyes in flames.” 

Death Is Bigger 1984-1985

Music GB