Name: Let Me Come Over - 25th Anniversary
Brand: Buffalo Tom

Bonus disc

Bonus disc: No

Catalogue number

bbqlp2145

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Double LP with a 10 track live album - Recorded in London at ULU (University of London Union) in 1992. The download features the full 17 Track Live Set.

Format Music GB

Limited edition

Release date

2017-05-19

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

UPC / Barcode

0607618214517

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Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

bbqcd2145

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Double CD with a 17 track live album - Recorded in London at ULU (University of London Union) in 1992.

0607618214524

{"blocks": [{"data": {"text": "0607618214524"}, "type": "paragraph"}]}

2 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Buffalo Tom

Genre GB

Alternative / Modern

Label GB

Beggars Banquet

Buffalo Tom (Bill Janovitz, Chris Colbourn and Tom Maginnis) formed at the University of Massachusetts at Amherst in 1984 - a breeding ground of post punk guitar bands like Dinosaur Jr. and Pixies. They thrived on college radio in the late 1980’s and toured extensively in Europe, the US, Australia and Japan. In 1992 the band recorded their third album Let Me Come Over with a varied group of songs they had been developing at home and on the road - mixing their live power trio sound with some more acoustic based guitar ballads. The album’s single Taillights Fade would become their signature song. 2017 marks the 25th anniversary of this album, and to celebrate, Beggars Arkive reissue it on vinyl and CD and package it with a live album. Recorded in London at ULU (University of London Union) in 1992, this marks the band’s first-ever live release. The double LP contains 10 live tracks, and the CD edition contains the entire show (17 songs). On its first two albums, Buffalo Tom constructed towering guitar-scapes and mastered a naturalistic version of quiet-to-loud dynamics. So, for its third, we found Buffalo Tom shedding a bit, but not all of the skin it had worn and emerging with its charms more front and center. Let Me Come Over is the sound of the trio exiting the insular underground for the wide world of “alternative” rock - but more or less bringing its best moves along with it, too. Previously loosely linked with fellow travelers Dinosaur Jr. and Uncle Tupelo via a similar three-piece format, stunning depth of songwriting and association with Boston’s Fort Apache Studios - it’s not hard to imagine Buffalo Tom wanted to stake a claim stylistically. Yet, Let Me Come Over never feels like a break with the past, it’s a transition. Inside that abstruse cover are undeniably magnificent tunes. Staples is emblematic of a band in flux with a grungy lyrical conceit rendered with hi-fi guitar squalls. It’s the first single Taillights Fade, however, where the band appears to find a new comfort zone, at an unhurried speed where Janovitz’s storytelling and car crash metaphors stand the best chance of making an impression. It plays with quiet-to-loud dynamics, and as for emotional expression, it swings for the bleachers--and a place on alternative rock radio. Mineral jangles in a similar vein and makes grand gestures. Darl and Larry (referencing the brothers from the Newhart show I always thought?) are solid but disparate cuts. Colbourn’s Darl feels a bit like an outlier with its thrashy feel - it sounds better louder. Larry has a sweetness to it that’s augmented by its busker’s strumming. Released as a second single, Velvet Roof had given us a taste of what was newly possible, a hook-heavy stomper with a densely woven rhythm matched by tight lyric writing - each piece expertly crafted to go into the next, no frayed ends here - and a snazzy mix by Ron Saint Germain, a pro who would later bring out the best in Soundgarden. A wailing harmonica solo gives it all a swagger that’s kind of new for the band. Stymied summons the emotional intensity of Birdbrain - it’s probably the album’s darkest moment. Somehow both life-affirming and wistful Porchlight contrasts with the way Saving Grace blazes through the barroom like a ‘Mats tribute. There’s no filler to be found here. Frozen Lake sees the band caressing acoustic guitars in comedown mode. Let Me Come Over is kind of a short story collection with equal parts thunder and intimacy, hills and valleys, last night’s mistakes and tomorrow’s contrition. Ultimately, it’s possibility, a sense of ‘hey, this just might work’ that makes it such a deep spin 25 years later. Let Me Come Over triumphs.

2CD - Double CD with a live album - Recorded in London at ULU (University of London Union) in 1992.

2LP - Double LP with a 10 track live album - Recorded in London at ULU (University of London Union) in 1992. The download features the full 17 Track Live Set.

Let Me Come Over - 25th Anniversary

Music GB