Name: At The Montreux Jazz Festival Analogue Productions Edition
Brand: Bill Evans

Bonus disc

Bonus disc: No

Catalogue number

AAPJ8762

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Colour

black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Double 200 Gram vinyl Housed in Tip on Sleeve.

Format Music GB

Limited edition

Release date

2022-09-23

Signed copies

Signed copies: No

Supplier GB

F Minor

Tax rate GB

UPC / Barcode

753088876219

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Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Bill Evans

Genre GB

Jazz

Label GB

Analogue Productions

This album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack deJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group. By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost 7-minute-long "Embraceable You." 

As the liner notes by Gene Lees reveal, Evan's performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album. At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album. 

Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analogue tape. For this edition only the best vinyl pressing would do — a 200-gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. And Stoughton Printing old-style tip-on cardboard gatefold jacket with vibrantly reproduced original artwork. 

At The Montreux Jazz Festival Analogue Productions Edition

Music GB