Name: The True Story of Bananagun
Brand: Bananagun

Bonus disc

Bonus disc: No

Catalogue number

FTH378CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-06-26

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

5060626462137

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

FTH378LPA

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clear

Extended format: Yes

2020-07-10

5060626462199

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / clear

FTH378LPX

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Red / Yellow Splatter

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With 7" Featuring Stellar Remixes from Maston (Trouble in Mind) and Traffik Island (Anti Fade). 

2020-12-24

5060626462830

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / red

Artist

Bananagun

Genre GB

Psychedelic

Label GB

Full Time Hobby

Albums of the Year 2020

Hailing from Melbourne, but with a sound stretching from 60s and 70s afrobeat and exotica to Fela Kuti-esque repetition, the proto-garage rhythmic fury of The Monks and the grooves of Os Mutantes, there’s an enticing lost world exoticism to the music of Bananagun. It’s the sort of stuff that could’ve come from a dusty record crate of hidden gems; yet as the punchy, colourfully vibrant pair of singles Do Yeah and Out of Reach have proven over the past 12 months, the band are no revivalists. On debut album The True Story of Bananagun, they make a giant leap forward with their outward-looking blend of global tropicalia. The True Story of Bananagun marks Bananagun’s first full foray into writing and recording as a complete band, having originally germinated in the bedroom ideas and demos of guitarist, vocalist and flautist Nick van Bakel. The multi-instrumentalist grew up on skate videos, absorbing the hip-hop beats that soundtracked them -taking on touchstones like Self Core label founder Mr. Dibbs and other early 90’s turntablists. That love of the groove underpins Bananagun - even if the rhythms now traverse far beyond those fledgling influences. Tracks like The Master and People Talk Too Much bounce around atop hybrid percussion that fuses West African high life with Brazilian tropicalia; the likes of She Now hark to abmore westernised early rhythm ‘n’ blues beat, remoulded and refreshed in the group’s own inimitable summery style. Freak Machine is perhaps the closest to those early 90’s beats, but even then the group add layers and layers of bright guitars, harmonic flower -pop vocals and other sounds to transmute the source material to an entirely new plain. Elsewhere there’s a 90 second track called Bird Up! that cut and pastes kookaburra and parrot calls as an homage to the wildlife surrounding van Bakel’s home 80 kilometres from Melbourne. Oh, and there are hooks galore too–try and stop yourself from humming along to Out of Reach’s swooping vocal melody.

The True Story of Bananagun

Music GB